Costume Designer Portfolio

Finding Famiglia is a film adapted from the screenplay/story by Alice Manica, directed by Elizabeth Blake-Thomas.

The most exhilarating yet challenging aspect of my role as a Costume Designer was creating authentic looks for the cast across three distinct time periods: the 1970s, 1990s, and early 2000s, all while capturing the essence of Italy in each era.

Twin Roses is an immersive game and micro-drama featuring Renaissance-inspired costumes that blend 15th-16th century silhouettes with fantasy and modern twists.

The central challenge was creating a cohesive aesthetic-especially for the male cast-while layering women’s looks with structured gowns, rich fabrics, and color stories that signaled status and atmosphere.

Hollywood Heartthrob let me explore the heightened drama of soap operas through satirical, striking costume design. The central joy was creating the prima donna’s extravagant looks-lace, bold jewelry, and a vintage red feather boa-while contrasting her glamour with contemporary styles that amplified her commanding presence.

For My Ex’s Best Friends, I embraced a casual contemporary style to evoke a relatable, everyday essence. The contrasting personalities of the characters inspired a blend of outfit choices, showcasing both fashion-forward or quirky styles or more athletic casual selections. This dynamic helped heighten the contrasts in the narrative, resulting in a polished editorial aesthetic that feels both dramatic and modern.

Sephora Commercial Spoofs let me playfully reimagine iconic pop-culture moments through bold, satirical costume storytelling. The excitement came from translating instantly recognizable film aesthetics into beauty-driven, fashion-forward visuals - from futuristic nostalgia and rebellious teen cool to hyper-glam social cliques and high-fashion parody. Each look balanced humor with strong visual identity, using exaggerated silhouettes, vibrant color palettes, and character-led styling to create a cohesive yet dynamic campaign energy.

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